Our 2015 Bestsellers: Middle School

middle school

  1. Wonder, R. J. Palacio
  2. Counting by 7s, Holly Goldberg Sloan
  3. The Boy at the Top of the Mountain, John Boyne
  4. Freedom Ride, Sue Lawson,
  5. The Cut Out, Jack Heath
  6. The Beauty is in the Walking, James Moloney
  7. Two Wolves, Tristan Bancks
  8. Girl Online, Zoe Sugg
  9. The Apple Tart of Hope, Sarah Moore Fitzgerald
  10. Soon, Morris Gleitzman

Top 10: Fiction

  1. A Little Life, Hanya Yanagihara
  2. Fates and Furies, Lauren Groff
  3. My Brilliant Friend, Elena Ferrante
  4. All the Light We Cannot See, Anthony Doerr
  5. A Brief History of Seven Killings, Marlon James
  6. Sweet Caress, William Boyd
  7. The Buried Giant, Kazuo Ishiguro
  8. The Lake House, Kate Morton
  9. The Secret Chord, Geraldine Brooks
  10. The Heart Goes Last, Margaret Atwood

Our Biggest Books of 2015! (Fiction)

best sellers

This year brought us many phenomenal books, some of the reviews for which you can read on the blog. Here are the books our staff and customers adored, essential additions to your summer reading list.

  1. A Little Life, Hanya Yanagihara: The year’s most unlikely blockbuster was this gut-wrenching tale of love and friendship, a book unlike anything we’ve ever encountered before.
  2. All the Light We Cannot See, Anthony Doerr: Our bookclub’s unanimous favourite was this Pulitzer Prize winning World War II story.
  3. Brother of the More Famous Jack, Barbara Trapido: This rediscovered classic made us cackle and cry, and stakes Trapido’s claim as Jane Austen’s raunchy modern successor.
  4. Did You Ever Have a Family, Bill Clegg: A Man Booker longlisted debut novel that finds pure poetry in horror. A testament to the majesty of the mundane, it’s as deeply empathetic as the best work of Anne Tyler.
  5. Hope Farm, Peggy Frew: A gently uplifting story about a young girl’s coming-of-age in a commune, it explores mother-daughter relationships and the mark our childhoods leave on us.
  6. My Brilliant FriendElena Ferrante: The final installment in Ferrante’s Neapolitan Saga was released in English this year, making for the perfect opportunity to revisit where it began. A Tolstoyan epic of female frienship.
  7. The Promise SeedCass Moriarty: Stunning work from a local writer, this novel describes the friendship between a young boy and an old man both wearing deep scars from troubled upbringings.
  8. Salt Creek, Lucy Treloar: Brilliant historical fiction, Treloar unpicks the minutiae of Australia’s origins, dispelling many of our colonial myths in the process.
  9. The Secret Chord, Geraldine Brooks: A Biblical Game of Thrones, Brooks once again proves herself a writer of majestic prose with this retelling of King David’s tragic fall.
  10. The Girl on the Train, Paula Hawkins: The most talked-about thriller of the year, Hawkins’ sensational mystery is a domestic noir worthy of Gone Girl.

Top 10: Fiction

  1. A Little Life, Hanya Yanagihara
  2. All the Light We Cannot See, Anthony Doerr
  3. Hope Farm, Peggy Frew
  4. The Natural Way of Things, Charlotte Wood
  5. The Promise Seed, Cass Moriarty
  6. The Secret Chord, Geraldine Brooks
  7. The Lake House, Kate Morton
  8. Napoleon’s Last Island, Thomas Kenneally
  9. The Story of the Lost Child, Elena Ferrante
  10. The Japanese Lover, Isabel Allende

Top 10: Fiction

  1. The Fishermen, Chigozie Obioma
  2. A Little Life, Hanya Yanagihara
  3. Go Set a Watchman, Harper Lee
  4. The Book of Speculation, Erika Swyler
  5. All the Light We Cannot See, Anthony Doerr
  6. Purity, Jonathan Franzen
  7. Rush Oh! Shirley Barrett
  8. A Year of Marvellous Ways, Sarah Winman
  9. Brother of the More Famous Jack, Barbara Trapido
  10. The Story of the Lost Child, Elena Ferrante

Myles’ Shelf-Talker: Hall of Small Mammals, Thomas Pierce

hall of small mammals

With over a hundred sign-ups to the Riverbend Readers Boot Camp, our staff will be reviewing their favourite books from the list to help you get started on your mission to #getfiterary.

Hall of Small Mammals is the debut collection from Thomas Pierce, whose stories have previously appeared in The New Yorker and The Atlantic. It is outrageously, stupidly, good: against the backdrop of absurd scenarios, Pierce explores human connection in original and insightful ways. Alternately whimsical and dark, Pierce uses comedy as a means of exploring the complexity of relationships.

In the superb opener, Shirley Temple Three, this comedy appears in the form of a Bread Island Dwarf Mammoth which, having been brought back from extinction by the reality show on which one character works as a presenter, he promptly abandons to the care of his aging mother. In the month that follows, Mawmaw and the mammoth develop a tender, unusual bond, one that reveals poignant information about Mawmaw’s relationship with her son. That Pierce is able to develop these two characters – one of whom is a fictional, non-speaking mammoth ‑ so thoroughly in such in such a limited space is truly impressive, and indicative of the many strange and fascinating relationships that are to preoccupy the rest of the book.

Pierce’s penchant for weirdness peaks in Videos of People Falling Down, a series of seemingly unrelated vignettes that mine slapstick comedy for dark humour. From what’s possibly the collection’s funniest one-liner – “Two beekeepers fall in love but it’s impossible for them to be together.” – sprawls a series of bizarre incidents that subvert our cultural obsession with schadenfreude, and Pierce dexterously intertwines these narratives to deliver both comedy and pathos.

Hall of Small Mammals demonstrates why more people should read short stories: uniquely hilarious and humane, they’re not only exceptional, but time efficient. If you’re looking for inspiration for your Boot Camp Reading list, Hall of Small Mammals is the perfect place to get started.

-Myles

Online Shelf-Talker: “Day Boy,” Trent Jamieson

day boy trent

Mark is a Day Boy. In a post-traumatic future the Masters – formerly human, now practically immortal – rule a world that bends to their will and a human population upon which they feed. Invincible by night, all but helpless by day, each relies on his Day Boy to serve and protect him. Mark has been lucky in his Master: Dain has treated him well. But as he grows to manhood and his time as a Day Boy draws to a close, there are choices to be made. Will Mark undergo the Change and become, himself, a Master, or throw in his lot with his fellow humans? As the tensions in his conflicted world reach crisis point, Mark’s decision may be crucial. In Day Boy Trent Jamieson reimagines the elements of the vampire myth in a wholly original way. This is beautifully written and surprisingly tender novel about fathers and sons, and what it may mean to become a man. Or to remain one.

Trent Jamieson is a Brisbane author who deserves a little more attention. Readers might already be familiar with his Deathworks trilogy, set in Brisbane. Day Boy is a little more obscure in regards to setting. Jamieson writes in such a wonderfully subtle way that the reader is aware that this world is futuristic-western—but decidedly Australian—without having to be told. The same can be applied to the plot; it is a subtle narrative that navigates the confusing world between boyhood and adulthood, infused with action but not too much. This is the kind of book that stays with the reader once finished; one that does not dumb-down to its audience.

-Chloe